所有動物都珍惜自己的命仔, 是動物友伴/食物, 分界線劃應劃在哪裏? 素地當然是動物無分界, 現實是, 不同的地方定界或有不同, 西方不少地方想像自己跟原圖一樣 — 以馬為界. 但實在不. 香港呢? 素地將線推到馬兒之後. WHY? 香港不吃馬肉喎!! 但是, 香港每年六百只馬兒退休之後, 去了哪兒? Continue reading
Category Archives: 文化 culture
Jumbo – Now a palace under water. What a Karma
Finally., the Palace of the Sea is not lost at sea.
It is rest on the bottom of the ocean…..
Tipped over then capsized when the sea turned rough, on a journey it was not designed to carry. Now a palace 1000 feet under, an abyss where denizens of waters hover.
Is it Karma? It has long been a floating seafood restaurant.

Is it karma? It is from a city that consumes the denizens of waters — three times world average.
It was once a sparkling presence, shinng bright at Aberdeen Typhoon Shelter, all decorated to charm the city’s tourists and its guests. Yet, when the winds of COVID blew out its lights, no one came to its rescue, even though it has ardently served the city for the last 40 years. The government turned its back when it was offered as a gift. The typhoon shelter was dim at night without its glory.
Then one day, the residents of Aberdeen were alarmed by the sight that it was being towed away to the open sea. Nothing they could do about it, but helplessly watching…. watching it slowly turned into a grey dot then disappeared. No one knew where it was heading, no one care to tell the citizens a thing. Until bad news came, which announced that the floating palace was tipping over before capsized in the big waves.
Its caretaker said it was an accident, all the fault of inclement weather. The people of this city disbelieved. They called it murder.
For a long time, it was being taken for granted. Now, they screamed that they treasured the floating palace so much and it was the city’s collective memory.
It is probably also the collective memories of the denizens of water, though it might not be pleasant ones, as their cousins being imprisoned and slaughters under the decorated roof of Jumbo. Now, they probably welcome it with their open arms, as the boat sunk to the sea and became their playground and shelter. Dive there, you can probably see fishes playing amongst the columns hide and seek.
Rest well and enjoy your new becoming for now.
june 20, 2020
戲臺風雲之挷架班政家
那時候戲台上的風流,隱藏著戲台下的風雲霸氣。
我爸自小愛粵劇戲曲,年青時便曾背著老媽到澳門學戲,並以藝名夏艶明演出。我爸的聲線宏亮清徹,不愛小曲小調,偏愛大曲,特別是歷史感厚重的曲目,曾參演《文姬歸漢》與《黃飛虎反五關》。他在戲班裏的日子沒多長,在大班裏演的是小角,只在小型的班裏才可以演上二三線。他戲台上的生涯短暫,其中原因包括老媽的不支持,還派人到澳門將他拉回香港,在家族的檀香店學做生意;他也個子太高, 沒有配戲的花旦。走過兩次難的,也讓他成為一個現實的人,看不到自己在戲班裏有多大前景,便退居幕後。戲台上短暫的時光讓他結識了不少戲行中人和戲班子,最主要是,他認識了相等於現時製作公司,擁有布景導具、樂師班子及其他有關人手的雷公。藉著雷公的支持,他膽粗粗的當起班政家,作中介人替戲班接戲,並以相宜價錢來與對手競爭。 Continue reading
「豬朋狗友」不是貶詞是勇敢的老死 “Pigs” no longer a derogatory term.Check this video.
See the dramatic moment that a pig rushes in to save his friends life moments before slaughter.Farmed animals are highly intelligent, social animals that DO NOT WANT TO BE KILLED.Pigs form close bonds and greet each other by rubbing their noses together.Given the chance, they sleep nose-to-nose with their companions.Every year, around 70 billion land animals are sent to their deaths by the animal farming industry.By going vegan, YOU could help reduce this number by hundreds per year.https://veganuary.com/us/register/Video from Newsflare
Posted by Manchester Pig Save on Friday, January 12, 2018
看視頻, 「豬朋狗友」再不是貶詞, 而是勇氣和老死(好朋友)的代號. 很多時候我們從語文開始便在抹黑一些動物, 來支持/建構我們對牠們的歧視和廹害. 這些語文也入心入肺的控制了我們的思想和情緒, 鞏固了前者. 要改世界觀, 重組語文或重新定義是必需的. 你想到什麼中文裏以動物為內涵的貶詞嗎?
From this video, calling people “pigs” shouldn’t be a derogatory term anymore, but stands for bravery/real friends?. Meanings of words are constructed to reflect and reinforce the values/order of a society. Their power lies in their ability to sink into our subconsciousness which effects to control our body and mind.
To instigate change, language cannot be left off the plate — we have to re-define, re-image or reject what have been circulating. You have some of these words or phrases in mind?
中國冬天的節日本來都是外向型
Lunar New Year and Winter Equinox are the two major festivals in East Asia in the deep of winter. In the Chinese culture, they used to be pragmatic practices that encouraged people to look out for each other during tough times. Both festivals required people to go out and visit others, bringing dumplings along for Winter Equinox, and other goodies for new year.
中國冬天的節日本來都是外向型的, 不是內向單以家庭為中心. 冬至, 從前南方要造湯丸, 不單團圓也要送鄰居, 豆心糯米湯丸高鐵高熱量加蛋白, 是讓人舒服互相照應的習俗; 北方的餃子傳統是藥膳公開派, Continue reading
《我, 不低頭》揭示全球化的複雜性和沒有女性角度的社福社會
I, Daniel Blake《我, 不低頭》 上映了, 這套沒有明星和特效的電影雖然拿了金棕櫚獎, 但發行商還是辦了多場試映會, 望以口碑以保不失。拿了免費票, 回點文字是應該的。
這套電影裏的城市紐卡素是一個爛透了的蘋果, 社保制度對有需要的人過度防衛, 和前線人員手執雞毛當令箭。人浮於事的社會, 當窮鬼易過做人,這套戲指出了兩組人很容易跌入極端貧窮的境況 –— 開始 Continue reading
監視鄭欣宜 懼肥全景系統
不太留意本地娛聞, 但她的幾條卻總是爆破重山越海來。
鄭欣宜憑否定主流社會對女性身體的想像和規管的一曲《女神》獲獎, 從心底替她和那首歌宣揚的內容高興, 但她的獲獎感言卻得不到太多支持, 不少網上留言都叫她收聲, 有話跟輔導員講, 不要再公開說事。今天還見到某篇文章叫她—— 笑。真是有無攪錯! 大家總是要求女性息事寧人, 笑臉迎人。 Continue reading
辛苦女的1234567錯nun哂

辛苦女協作劇場的回應表裏寫著那是有關「社會運動中親密關係的經驗」,我加了「沒有」兩字進去。
明明知道問的是過往經驗,心裏卻硬要將現在式的「沒有」寫進去, 是發洩還是自療?兩樣都是;就如這劇場之於演出者。現況就是舊雨全丟了, 新的不知會不會來。心內意難平。
劇場的「戲碼」是社運13條女的故事,區會及立法局員、撐傘女子、學運成員、大學裏的一條女到土地運動分子, 有階級、有性別、 有女體、有家庭、 有政治謀殺、有本土歷史醒覺、有本土社運形態演變, 但沒有同志運動的故事, 沒有餐桌起義的事兒。
太陽的孩子
昨天看了土盟放映的籌款電影《太陽的孩子》, 影片開始不久便交代了片中部落為何農地荒廢 — 因為水源堵了, 原住民的土圳沒有水了;後來找來了四方援手,水重新從山上流出來,稻花重新遍開,他們的原住民身份也重新在陽光下閃光。 那麼「圳」是什麼呢? 影片沒解釋,我等不同文化的港人只能邊看電影邊猜, 總之與灌溉有關。
Lego Not Political?
Interesting…ao many journalists are coming out to fend Lego in support of the company’s saying no to sponsoring Ai-WeiWei’s project. I presume they all grew up with the toy and are deeply engaged with it emotionally. What is surprising is that, amongst them, I found an article from the Guardian…,…sharing such an “innocent” stand. So these might pens are suddenly so forgiving, including Lego’s long time partnership with Shell by they considering that as apolitical. By the way, Ai did not ask for sponsorship or support…a truly apolitical company should be blind to who is ordering what…. and doing what.
http://www.theguardian.com/artanddesign/jonathanjonesblog/2015/oct/26/ai-weiwei-lego-bricks-censorship-refusal-china
http://mashable.com/2015/10/27/lego-ai-weiwei-consistent/?utm_cid=mash-com-fb-main-link#KiTwwUWaOkql